The Colorado River Indian Tribes Utilities Department has welcomed a familiar face into its leadership, naming Alex Covarrubias Jr. as the new Utilities Director.

Covarrubias is a Parker and Poston local who grew up in the community he now serves. His career in the water industry began in 2013, giving him more than a decade of hands-on and leadership experience in the field.

He started his professional journey working in Big River for three years before joining CRIT Utilities, where he served as Water Department Supervisor. During his time with the Tribe, Covarrubias gained valuable experience learning the day-to-day operations of the department and the importance of understanding the work from the ground up.

“Learning the ins and outs of the job builds character,” Covarrubias said. “I’m glad I was able to learn from the bottom.”

In 2022, he stepped away from CRIT Utilities to continue building his experience, working with the Rural Water Association of Arizona. Along with his previous roles, Covarrubias has spent years in management and believes that with a good attitude and strong work ethic, he can be an effective leader.

Returning to CRIT Utilities as Director is a full-circle moment for Covarrubias, and one he says he is excited about.

CRIT Utilities oversees essential services including water, wastewater, and solid waste for the reservation. Having spent years doing hands-on work in the field, Covarrubias believes that experience helps him better support his team. (more…)

Navajo customs find a way to heal and reignite the strength of those in suffering and spiritual pain of what lingers in their heart, their mind, their body, their soul. But here, we have a film that questions and wrestles with the idea of how we feel out, process, and learn to forgive those who’ve done harm to us for no longer. FINDING HÓZHÓ, the newest film from writer/director/producer Travis Holt Hamilton, searches for that idea from within the protagonist Secody, a man whose silent dignity masks a history of childhood trauma left behind by the violence of his father, remembered as an angry and aggressive alcoholic. Now an older man, Secody is morally stuck on how to best care for his dying/bedridden elder father; he secretly wrestles with the emotional turmoil of not knowing how to confront his abuser and comfort his dying father. We jump back and forth between the present narrative and the 60s’ period flashbacks to show how Secody had to endure his father’s drunken rage(s), while also finding peace and serenity with his warm and loving grandfather, who teaches him the traditional Diné methods of beliefs and guidance. We see a different coin side of father figures within Secody’s life – one figure showing him what pain can bring by self-destruction, and another figure teaching what beauty and tranquility can be found with personal strength and faith rooted in traditional values. (A scene plays out in flashback with the grandfather and son looking after the depressed father, drowning in sorrow about his dead wife with a bottle; the grandfather tells his grandson, “Your father is not a bad man, he’s a broken man.” They carry him back home and spend the night traditional praying over him repeatedly, showing Secody what the bonds of family and holding hope in one’s beauty does for our health & growth.)

What stood out on top of the story with the film itself, the reviewer found the production value to be a crowning achievement; in particular, the cinematography and direction seen on screen proves that the story has a backbone of visual style and gravitas of a filmmaker’s dedication to making a story based on the concept and company he keeps. Here, Hamilton finds the weight of the emotional journey in his character’s choices and reflections in facing the confrontation of familial bonds and those painful memories that we put to rest. The actors’ are all allowed to shine and breathe life into their on-screen personas’, with many of the cast having the strength to carry weight of dialogue while the main lead is left in silence of his own accord. By the end of the film (as per audience reactions at the screening), you’ll be needing the tissues to help handle the teary emotions we see in the finale of the film reinterpreting the themes of Hózhó being an internal spiritual awakening that anyone can ignite from within, from family, and from the values/beliefs we hold strong. Anyone of any generation can find something out of the story, as the reviewer recounts how much an audience engagement could be found in the Q/A section of the premiere – prompting discussions of elder’s recollections that touched on personal experiences they found identifiable through the film. It’s a beautiful film that stands as one of Hamilton’s most mature and enlightening features that showcases the humanity and culture of Diné customs and traditions. FINDING HÓZHÓ is a film that wants you to be emotionally and spiritually ready to find the light, beauty, and forgiveness to give ourselves from all the burdens of the world.

Holt Hamilton, in his steadfast devotion to furthering his filmmaking goals and working with the best talent/crews, finds solace in the audience he has acquired with his filmography. Speaking with him, you understand that the storytelling that he’s writing and formulating is based on the influences and ideas that surround him; and it’s no surprise seeing how much influence the honor and beauty of Navajo country has struck a cord with his sensibilities. We spoke with him after the screening –

CRIT MEDIA: How do you anticipate everything that you do with the challenges of filmmaking? What does the weight of this lifestyle feel like for you?

HAMILTON: “I think the start of it was of just giving myself that goal: if I had one more chance to make a movie, what would I do? Not that the other films haven’t been a passion project or something, but there’s something about like, okay, what, there’s more thought, there’s a lot more prayer into it, there’s a lot more like, okay, what do I leave with? And so I think I set, that was one thing I think that really played into it.” (more…)

(LAS VEGAS) The Colorado River Indian Tribes (CRIT), the Gila River Indian Community (GRIC) and the Central Arizona Water Conservation District, which manages the Central Arizona Project, have signed an historic proclamation to work together to protect the Colorado River.

The three entities have had differing priorities and goals over the years regarding the River, but those differences do not prevent them from working together to safeguard the Colorado River which is suffering from drought and overuse.

The proclamation was signed during the Colorado River Water Users Association conference where multiple states, local and regional government entities, and the federal government have been trying to reach an accord on river water allocation and use.

CRIT, GRIC, and the CAP hope their proclamation can set an example and demonstrate the need for collaboration and conservation. The resolution states:

The Colorado River Indian Tribes, the Gila River Indian Community, and the Central Arizona Water Conservation District have been collaborative partners on various conservation projects to protect the Colorado River including the Pilot System Conservation Program, the Drought Contingency Plan and innovative water efficiency demonstration projects.

We commit to working on collaborative and creative partnerships that, consistent with our respective principles and values, utilize all the tools that are available to us through the Consolidated Decree in Arizona v. California, the Arizona Water Settlements Act, the 2007 Interim Guidelines, the Drought Contingency Plan, the System Use Agreement, the Colorado River Indian Tribes Water Resiliency Act of 2022, and the Arizona’s Groundwater Management Act, in addition to others.

Together, the Colorado River Indian Tribes, under its laws, including requiring preservation of the River as a living entity, the Gila River Indian Community and the Central Arizona Water Conservation District are committed to protecting the Colorado River and the needs of our respective tribal members while connecting much-needed resources to end users within the Central Arizona Water Conservation District service area.

CRIT Chairwoman Amelia Flores said, “All of us who live in Arizona, native and non-native alike, are connected by water for without water, there is no life.  And it is that common thread that binds us, which has us here today, pledging to work together for the greater good of all who live in Arizona.” CRIT recently took the pioneering step to acknowledge personhood status for the Colorado River under Tribal Law. According to Chairwoman Flores, “CRIT will always put the Colorado River first.” (more…)

by Abigail Wilt
Cronkite News

PHOENIX – Natasha Bowman is a Navajo doula and student midwife. Her work centers around revitalizing traditional birthing through practices that have been overshadowed by Western medicine.

In traditional spaces, families are often there, supporting the mother through labor and birth. One of Bowman’s clients was the first woman in her family to have a home birth since her great-great-grandmother. The client was in the company of other women in her family and for the first time — her father.

Before the woman’s home birth, her father wasn’t allowed to be present for the births of his own children. His wife would labor at the hospital while he was at home and then return with their babies.

It was very different while his daughter was in labor. He was invited into the space and able to console her, rubbing her head and speaking to her as she moaned through contractions.

He sat in the living room during the active birth and told Bowman — through tears — that he wished he would have been there for the births of his children. He had no idea what his wife was going through until he saw his daughter go through it.

“Within the community, bringing in the aunts, the grandmas, the sisters, the cousins, bringing them all within that space, working as a community together. It’s beautiful to see everyone come together at a birth with the women around,” Bowman said.

Bowman explained that traditional births can often involve ceremonies, songs, holistic herbs, tinctures and the use of Native language alongside including family members.

Indigenous medicinal practices, alongside cultural and religious ceremonies, were considerably restricted under the 1883 Code of Indian Offenses, allowing authorities to withhold food, impose extra labor or jail people for up to 10 days for seeking or providing medicine or traditional healing.

Until the Congress passed the American Indian Religious Freedom Act in 1978, Native communities were largely forced to seek care within Western health systems.

“We see that we had our traditional birthing practices long ago. It was taken from us when hospitals came into our communities, and then our traditional birth ways were taken from us. They started telling us it was unsafe,” Bowman said.

Last year, the Centers for Medicare & Medicaid Services approved a Section 1115 waiver, allowing Medicaid to cover traditional healing. On Oct. 1, Arizona Health Care Cost Containment System,  AHCCCS, Arizona’s Medicaid agency, began reimbursing them, making Arizona one of the first states to do so. The initiative “aims to offer culturally appropriate options for eligible members.”

For tribal communities, this progress has been decades in the making.

“I’m really happy that, after over a decade, or to this point, that the advocates in our state didn’t give up and that we just kept moving it forward because we really understood the value of it,” said Kim Russell, the policy advisor at Sage Memorial Hospital on the Navajo Nation.

Hanley Manygoats is a traditional medicine practitioner (Hatalii) on the Navajo Nation. He grew up around traditional healing before becoming a practitioner himself. Lately, Manygoats went from seeing one person a month to three or four a week.

“It’s all part about healing, spiritual healing. It’s all about this being the one with nature, mother earth, father sky,” Manygoats said. “So we have all these stories that go with our traditional healing, our songs, our prayers. So it all starts with the origin stories.”

For many, he said, it’s the first time in decades they’ve been able to experience these healing ceremonies.

“When I do prayers for the elders, they get emotional because they haven’t heard prayers like this in a long time. The last time they had a prayer done was when their grandparents or their fathers and mothers were around. Now they’re gone,” he said.

Though AHCCCS coverage has allowed more people to seek traditional health care, Manygoats said the coverage is limited. (more…)